Following up on the worldwide successes of The Da Vinci Code (2006) and Angels & Demons (2009) is INFERNO, the third highly anticipated adaptation in Dan Brown’s Robert Langdon series of novels.
The film re-teams director Ron Howard, who most recently directed the acclaimed Beatles documentary Eight Days a Week: The Touring Years, with Tom Hanks, who returns in one of his signature roles playing the quick-thinking and resourceful Langdon. Hanks explains the enduring attraction of the franchise. “There is something Dan Brown has figured out – everybody likes a good puzzle, especially one you can actually figure out the clues to one at a time and solve,” he says. “These movies give that to the audience – it is almost an interactive film, and it has been like that since The Da Vinci Code.”
Borrowing its title from Dante’s masterwork, the Latin word for Hell, INFERNO has the added component of a psychological thriller. In the film, Dr. Robert Langdon wakes up to face his biggest challenge yet – he has lost his memory. Haunted by feverish visions and intense headaches, he must find out what has happened to him, and why.
Hanks explains, “Hell for Langdon in the movie is both a state of mind and a very physical experience because he is wracked with pain in his head and he is tortured by the fact he is ignorant of the reasons why.”
“Without a doubt, Robert Langdon goes through his own personal hell at the opening of this movie,” says Dan Brown. ”He wakes up in a hospital room in possession of a mysterious artifact for which people are trying to kill him. He must decipher the artifact and follow a trail of clues to find out who wants him dead and why. At the end of the day, he realizes the stakes are far greater than his own personal drama – the future of the planet is at stake.”