If you have an insatiable appetite for horror, then RAW – written and directed by Julia Ducournau – is a tasty treat that will leave you wanting more.
We are delighted to have a few tickets to Fallen, in cinemas from 10th March. It is the dark, sexy fantasy movie that’ll fill that special place in your heart once reserved solely for Edward and Bella.
Based on the first of four novels by Lauren Kate (the second, Torment, is already in production), it tells the story of Luce (Addison Timlin), a teenage girl sent to the imposing Sword & Cross reform school in Savannah, Georgia.
While living under the institution’s imposing rules, Luce soon finds herself torn between the edgy Cameron (Harrison Gilbertson) and the mysterious Daniel (Jeremy Irvine), whose frequent rejection only serves to make Luce more interested.
Meanwhile, tormented by strange visions, Luce discovers that there’s more to the school and its inhabitants than you might think. As she begins to unravel the secrets of her own past she finds she must choose where her feelings lie, pitting Heaven against Hell in a battle for true love.
PLEASE NOTE THE CINEMA LISTINGS WILL BE AVAILABLE FROM TUESDAY 7th MARCH
To see locations and download tickets: http://www.showfilmfirst.com/pin/FALLEN
MOONLIGHT is the shock winner of the Best Picture Award at the 89th Academy Awards in what critics are already describing as the ‘biggest moment in Oscar history’. Warren Beatty – presenting the award with Faye Dunaway – announced LA LA LAND as the (widely-anticipated) winner, only for confusion to ensue as, while the whole cast & crew of the film were already on stage and acceptance speeches in full flow, host Jimmy Kimmel announced that Beatty had read out the wrong name and that the winner was really MOONLIGHT.
The controversial moment capped a night that saw LA LA LAND take just six of the 14 categories it was nominated for, including Best Actress for Emma Stone and Best director for Damien Chazelle, at the 32 the youngest recipient ever of the award. It also won Best Cinematography, Production Design, Score and Song.
Hotly-tipped Casey Affleck won Best Actor for MANCHESTER BY THE SEA, which also took Best Original Screenplay. Viola Davis was named Best Supporting Actress for FENCES and Mahershala Ali for MOONLIGHT.
“Only when we know what ails us can we hope to find the cure”
From visionary director, Gore Verbinski, A CURE FOR WELLNESS is a chilling and mind-bending psychological thriller. Dane DeHaan stars as Lockhart, a driven Wall Street stockbroker who is sent by his firm to a remote alpine medical spa. Lockhart is on a mission to retrieve the company’s CEO, Pembroke (Harry Groener), a patient at the spa, who has told his staff that he has no intention of returning to New York. Lockhart arrives at the tranquil sanitarium where the residents are supposedly receiving a miracle cure. In fact though, they seem to be getting sicker. As he investigates the dark and baffling secrets behind the spa, he meets a young woman, the hauntingly beautiful Hannah (Mia Goth), a patient herself. He also gets to know another patient, the eccentric Mrs. Watkins, played by Celia Imrie, who has done some detective work of her own. Soon, Lockhart is diagnosed with the same condition as the other patients by the institution’s director, the ominous Dr. Volmer (Jason Isaacs), and finds that he is trapped in the alpine retreat. Lockhart begins to lose his grip on reality and has to endure unimaginable ordeals during the course of his own ‘treatment’.
In the tradition of Verbinski’s indelible 2002 classic, THE RING, the Academy Award® winning filmmaker brings his inimitable style and vision to A CURE FOR WELLNESS. Atmospheric and visually breathtaking, the film is compelling and thought provoking, exploring the true meaning of wellness and the trappings of avarice and power, while asking what fulfillment really means.
Embarking on A CURE FOR WELLNESS, Verbinski wanted to make a thriller with the depth, insight and power of classics in the genre that he admired, such as THE SHINING (Stanley Kubrick’s 1980 film), DON’T LOOK NOW (Nicolas Roeg’s 1973 film) and ROSEMARY’S BABY (Roman Polanski’s 1968 film). The idea of a quick fix cure, together with society’s malaise and the obsession with perfect health were topics that fascinated Verbinski, whose films include the hugely successful PIRATES OF THE CARIBBEAN franchise and the Academy Award® winning animated film, RANGO. “We started exploring the notion of a health spa in the Alps, a wellness center that doesn’t actually make you well,” says Verbinski, “and it slowly evolved from there. It became pretty clear to us that this was going to be a genre piece, and we started playing around with the concept of inevitability. It’s the sense that there is a sickness, a sort of black spot on your x-ray that won’t go away!”
Verbinski sat down with screenwriter Justin Haythe (THE LONE RANGER, REVOLUTIONARY ROAD). “I had an idea bouncing around in my head for some time from various influences and preoccupations, but it mostly came from a suspicion of medicine,” says Haythe, who was inspired by the work of German writer Thomas Mann and by psychiatrist Carl Jung. “The film really concerns the pollution of our minds and bodies in the modern world and our obsession with purity as a result of that.”
One of Hollywood’s most exciting young actors, the gifted and charismatic Dane DeHaan (KILL YOUR DARLINGS, THE AMAZING SPIDER-MAN 2, LIFE) was thrilled about taking on the role of Lockhart and working with Verbinski. “To listen to Gore’s vision and hear how passionate he was about it, and then to read the script and understand what a challenging role it was—that was irresistible,” says DeHaan. “My character goes through so much in this film, it’s crazy. And this was an opportunity to work with a great filmmaker.”
The adventure-filled past of the iconic scoundrel and everyone’s favourite Wookie is going before cameras this month when principal photography on the untitled Han Solo Star Wars Story officially began February 20th at Pinewood Studios, London.
The movie will explore the duo’s adventures before the events of Star Wars: A New Hope, including their early encounters with that other card-playing rogue from a galaxy far, far away, Lando Calrissian.
Phil Lord and Christopher Miller are directors co-piloting the movie, with a cast that includes Alden Ehrenreich as Han Solo, Woody Harrelson, Emilia Clarke, Donald Glover as Lando Calrissian, Thandie Newton, and Phoebe Waller-Bridge, with Joonas Suotamo as Chewbacca.
“Watching such inspired people from all over the world, with such unique voices, come together for the sole purpose of making art, is nothing short of miraculous,” Lord and Miller said. “We can’t think of anything funny to say, because we just feel really moved, and really lucky.”
Crewing the ship will be some of the industry’s top talent, including Academy Award nominee for his work on Arrival, Bradford Young (Director of Photography), Chris Dickens (Editor), Dominic Tuohy (SFX Supervisor), Rob Bredow (VFX Supervisor) and Brad Allan (Action Designer).
They will be joining returning Star Wars veteran crew members Neal Scanlan (Creature & Droid FX Creative Supervisor), Neil Lamont (Production Designer), Dave Crossman and Glyn Dillon (Co-Costume Designers), Jamie Wilkinson (Prop Master), Lisa Tomblin (Hair), Amanda Knight (Make-Up) and Nina Gold (UK Casting Director).
Written by Lawrence and Jon Kasdan, it will be produced by Kathleen Kennedy, Allison Shearmur, Simon Emanuel and co-produced by Kiri Hart, Susan Towner and Will Allegra. Lawrence Kasdan and Jason McGatlin will executive produce.
The untitled Han Solo Star Wars Story is slated for release in May, 2018.
Guy Ritchie takes on the ultimate tough guy in KING ARTHUR: LEGEND OF THE SWORD, lending his dynamic style to the new epic fantasy adventure, which stars Charlie Hunnam as the eponymous ruler of the Brits. The film is an iconoclastic take on the classic Excalibur myth, tracing Arthur’s journey from the streets to the throne.
When the child Arthur’s father is murdered, Vortigern (Jude Law), Arthur’s uncle, seizes the crown. Robbed of his birthright and with no idea who he truly is, Arthur comes up the hard way in the back alleys of the city. But once he pulls the sword from the stone, his life is turned upside down and he is forced to acknowledge his true legacy… whether he likes it or not.
The film also stars Astrid Bergès-Frisbey (Pirates of the Caribbean: On Stranger Tides) as Mage; Djimon Hounsou (Blood Diamond, In America) as Bedivere; Aidan Gillen (HBO’s “Game of Thrones”) as Goosefat Bill; and Eric Bana (Star Trek, Munich) as Arthur’s father, King Uther Pendragon.
In UK Cinemas Friday 12th May, 2017.
Following up on the worldwide successes of The Da Vinci Code (2006) and Angels & Demons (2009) is INFERNO, the third highly anticipated adaptation in Dan Brown’s Robert Langdon series of novels.
The film re-teams director Ron Howard, who most recently directed the acclaimed Beatles documentary Eight Days a Week: The Touring Years, with Tom Hanks, who returns in one of his signature roles playing the quick-thinking and resourceful Langdon. Hanks explains the enduring attraction of the franchise. “There is something Dan Brown has figured out – everybody likes a good puzzle, especially one you can actually figure out the clues to one at a time and solve,” he says. “These movies give that to the audience – it is almost an interactive film, and it has been like that since The Da Vinci Code.”
Borrowing its title from Dante’s masterwork, the Latin word for Hell, INFERNO has the added component of a psychological thriller. In the film, Dr. Robert Langdon wakes up to face his biggest challenge yet – he has lost his memory. Haunted by feverish visions and intense headaches, he must find out what has happened to him, and why.
Hanks explains, “Hell for Langdon in the movie is both a state of mind and a very physical experience because he is wracked with pain in his head and he is tortured by the fact he is ignorant of the reasons why.”
“Without a doubt, Robert Langdon goes through his own personal hell at the opening of this movie,” says Dan Brown. ”He wakes up in a hospital room in possession of a mysterious artifact for which people are trying to kill him. He must decipher the artifact and follow a trail of clues to find out who wants him dead and why. At the end of the day, he realizes the stakes are far greater than his own personal drama – the future of the planet is at stake.”